#LIL BOOSIE NEW CD 2016 HOW TO#

#LIL BOOSIE NEW CD 2016 HOW TO#

Where are all the BIG albums?вЂќ Maybe IвЂ™m predisposed for this shit, but after you witness a bunch of turnt-up eighth graders teach their white-as-fuck science teacher how to вЂњSuperman that hoвЂќ on the last day of school, you stop waiting for the butterfly to pimp itself and start paying attention to the little man.

FamвЂ™s at DrizzyвЂ™s feet like, вЂњIвЂ™m good here with my chain on because while you claim you started from down here, it was my table crumbs that was feedinвЂ™ you.вЂќ S BeezyвЂ™s peaking out of that stream of Waves that Yeezy Swished in on like, вЂњWhile you waitinвЂ™ on your messiah, IвЂ™m here with that shit you never knew you wanted.вЂќ Which prompts a loaded question of spacial relevance: вЂњWhere is this dude even coming from?вЂќ Answer: S Beezy never left that desk in back of the class, shooting you a patient head-cocked stare every time you spit some shit like, вЂњMan, this year sucks for music. S Beezy is a self-induction, real Bruce Wayne-into-Superman shit. Soulja Boy ainвЂ™t nothing if not consistent(ly underrated). As a followup to The Abstract & The Dragon, this tape had a lot to live up to, but the latter song is strong enough to stand side-by-side with any of BustaвЂ™s best. Chance the Rapper on вЂњHello,вЂќ Raekwon on Roc Marciano-produced вЂњWatch How You Move,вЂќ and, most impressively, MF DOOM on Dilla-produced вЂњIn the StreetsвЂќ are just a few examples. So, in a way, itвЂ™s fitting that the brightest moments on BustaвЂ™s December 2015 mixtape, The Return of the Dragon (The Abstract Went On Vacation), come from hearing the dungeon dweller trade syllabics with MCs of similar fire-breathing pedigree. Absent any monumental smash singles on the scale of a вЂњWoo-Ha,вЂќ вЂњPut Your Hands Where My Eyes Can See,вЂќ вЂњPass the Courvoisier,вЂќ or вЂњTouch It,вЂќ for 10 years Bus has led the new school via guest appearances on pop remixes in which he typically out-raps everyone else on the track, often rendering otherwise-dull tracks listenable. вЂ“ BrooklynВ RussellД«usta Rhymes - The Return of the Dragon (The Abstract Went On Vacation)Дecades have passed since Busta Rhymes roared his way to rap superstardom. To think, this self-proclaimed Project Baby is feasting without having yet cashed in on his Drake cosign. When the sun finally wakes up, like on the aptly titled вЂњThis Life,вЂќ for instance, it serves to humanize Kodak, spotlighting the raw stories behind the tapeвЂ™s booming 808s-heavy production. вЂњI ainвЂ™t gonna sugarcoat nothing,вЂќ he professes in his gold-mouth Southern drawl on вЂњDeep in These Streets,вЂќ a song that reflects on his time behind bars and in the Golden Acres Projects, a place thatвЂ™s comparative to вЂњliving in hell.вЂќ вЂњIвЂ™mвЂ™a tell you times when I was up, IвЂ™mвЂ™a tell you times I was struggling,вЂќ go the lyrics and not for one second do think to doubt them.

An introvert at heart, Kodak taps into the darkest parts of his soul to pull surprisingly moving results from his viscera warranting InstitutionвЂ™s uncompromising hourlong street rap expanse.

Because this young Florida rapperвЂ™s strength is his unflappable confidence, his ability to disregard the self-conscious aspect of the mixtape format, heвЂ™s able to produce an intensely personal experience with Institution something larger than itself. вЂ“ DrillВ NeibergallДЄlthough heвЂ™s already being compared to veteran artists like Lil Boosie, the raspy-voiced, young, downright reckless charisma of 18-year-old Kodak Black is distinctively his own. In the end, Katie ends her drill career diplomatically: by expressively addressing her haters in just more than a minute, Gettysburg-style.

This mixtape has everything from the absurd comedy of KatieвЂ™s introduction as the вЂњFirst Lady of Drill,вЂќ culminating in her exhortation: вЂњI need that moneyyyyyyyyy!!!вЂќ to a bass-y, minimal banger featuring Jeremih, to a not-embarrassing alternative to that Yelawolf вЂњDonвЂ™t Make Me Go PopвЂ¦the TrunkвЂќ song (вЂњJump Off Da PorchвЂќ), to a Plies verse, haha. But still, those commenters are selling her intense versatility too short. Most of the comments on mixtape sitesвЂ™ streams of DC3 are dudes complaining about how KatieвЂ™s вЂњalways screaming.вЂќ On the intro, which reminds us вЂњthe faces of these lost and disconnected young and women are often invisible, until we see them in a mugshot,вЂќ before the hi-hats come in, I get the sense Katie is screaming to fill the negative space wherein we locate lostness and disconnectedness. And itвЂ™s Hard To Be A God Drillary Clinton 3 will be her вЂњlast drill album.вЂќ ItвЂ™s (kind of) a shame, the parenthesis owing to the fact that these 17 tracks are the headiest endurance test on wax since G HerboвЂ™s transmissions from Fazoland and, in combination with the two mixtapes preceding it, give us enough pissed-off sketches from the queen of drill to sneak into the next umpteen summers of posse playlists. Katie Got Bandz has been queen of drill for years now - at least according to her side of the story, which is all you get here.

Lil boosie new cd 2016